By Ian Hamilton
The 1st and purely entire paintings of its style, The better half to 20th Century Poety in English charts the advance of poetry from 1900 to the current, around the complete of the English-speaking international, from the us, nice Britain, and eire to New Zealand, Pakistan, Singapore, Trinidad and Zimbabwe--anywhere the place poets write in English. Alphabetically prepared for ease of reference, it deals biographical entries on a few 1,500 person poets, in addition to over 100 entries overlaying very important magazines, routine, literary phrases and ideas. As readable because it is accomplished, the spouse deals a desirable survey of this century's shift from 'poetry' to 'poetries,' as American and British traditions of poetry have made means for a turning out to be range of voices, and because the burgeoning poetries of Australia, Canada, and different English-speaking nations assert their very own identities. the variety of poets represented during this better half is remarkable. listed below are in-depth discussions of Yeats, Eliot, Pound, and Joyce along provocative tests of W.H. Auden, Elizabeth Bishop, Wallace Stevens, and Marianne Moore. John Ashbery, Margaret Atwood, Maya Angelou, and Mary Oliver are accounted for, in addition to Carolyn Forch???, David Bottoms, Jorie Graham, and plenty of different more youthful poets simply getting into prominence. Chinua Achebee, Jack Mapanje, Femi Oyebode and different very important African poets writing in English are right here, in addition to poets from the Caribbean, India, or even Russia. Readers will get pleasure from this Companion's many insightful contributions from celebrated poet-critics, writing on different poets in exciting author-subject mixtures. for instance, Seamus Heaney writes on Robert Lowell ("Lowell had invented a fashion of having at existence, of creating poetry kick and freak on the fringe of modern reality"), Ann Stevenson discusses Sylvia Plath ("In the quarter-century following her suicide, Sylvia Plath has turn into a heroine and martyr of the feminist circulate. actually, she was once a martyr often to the recurrent psychodrama that staged itself in the bell jar of her tragically wounded personality"), and Tom Paulin weighs in on Ted Hughes ("His appointment as Poet Laureate in 1984 sealed his basically shaman-like notion of his poetic undertaking and enabled him to talk out on environmental concerns whereas celebrating royal weddings and babies"). different pairings contain Jay Parini on Wallace Stevens, Jon Stallworthy on Wilfred Owen and Rupert Brook, and William H. Pritchard on Robert Frost and Randall Jarrell. every one access contains a wealth of biographical and bibliographical info, and a pick out bibliography on the finish of the e-book provides a convenient resource of data on poets whose paintings isn't another way in print, or on hand to readers. From Abse and Auden to Zaturenska and Zukofsky, The Oxford significant other to Twentieth-Century Poetry in English is an important reference for college students, fanatics of poetry, and for poets themselves.
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Extra resources for The Oxford Companion to Twentieth-century Poetry in English (Oxford Paperback Reference)
The Half-Inch Himalayas (1987) is carefully composed of linked images, allusions, and recurring situations. It expresses the anxieties, fantasies, and discoveries of the continual traveller who imagines lives he and others might have had. A Walk Through the Yellow Pages (1987) uses a highly American idiom, advertising slogans, and parodies of folktales to reveal nightmarish fears hidden by the commonplace. Ali has also translated Faiz Ahmed Faiz from Urdu. , 1987), and A Nostalgist's Map of America (New York, 1992).
At the Dublin Art School he met W. B. Yeats, and they were close friends for many years, united by interests in the Irish literary revival and in magical-theosophical matters, though they later became partially estranged. ’, failing to read his original mystical nom-de-plume ‘Aeon’. His first poems, Homeward. Songs by the Way (1894) resembled Yeats's early ‘Celtic Twilight’ poetry. But his work did not develop much; Frank O'Connor noted AE's career-long ‘habit-forming’ tendency to produce the same misty, Donegal poems and paintings.
Return to Cardiff’, one of his better-known pieces, describes Abse's feelings on revisiting his native city: loss, brief retrievals of the past, a sense of identity's oddness. The writing is conversational; it is also sharp and intelligent. Its rhythms win an unpredictable music from the musing hesitations of Abse's speaking voice. ‘Return to Cardiff’ was included in his 1962 book, Poems, Golders Green. Abse had by then sloughed off an initial weakness for rhetoric. Subsequent volumes blend a keen appetite for the everyday with an appalled, unmelodramatic awareness of suffering.