By Martin Ray
A part of the "Modern Fiction" sequence, that's a chain of introductory stories at the leader writers and routine within the background of 20th-century fiction in English. it is a learn on Joseph Conrad. every one quantity is written by way of knowledgeable within the box and provides a examining of the writer's paintings within the gentle of contemporary scholarship and feedback, yet consistently with the desires of the scholar and normal reader in brain. It presents biographical details, attention of the writer's courting to the social, highbrow, and cultural lifetime of their instances, and distinct readings of chosen texts. The sequence comprises short-story writers in addition to novelists, contemporaries in addition to vintage moderns and their successors, Commonwealth writers in addition to British and American, and there are volumes on subject matters and teams in addition to on person figures.
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Additional info for Joseph Conrad: Interviews and Recollections
He had never sat on the bank and watched coldly; that one could see at once, for he was so obviously battered by the journeys he had taken through the souls of the men whom he had known. The sea with its calm, its storms, to him was but a mirror of the restless motion of the souls of men. His prose that has such a magic and vibrating beauty seems the outcome of these mysterious experiences upon an instrument so sensitively tuned. In his talk he led me along many paths of his life, but I felt that he did not wish to explore the jungle of emotions that lay dense on either side, and that his apparent frankness had a great reserve.
I sailed up the great rivers of the Orient. There's where I got my material for A/mayer's Folly and Lord Jim. I began to write while still a sailor. I began A/mayer's Folly with no thought of its being published. I knew nothing of book publishing. I wrote part of it in a lodging in London and I carried the manuscript with me. I worked on it from time to time on several voyages, but had no hope of its getting into print, till one day in London as I was passing Fisher Unwin's publishing house I saw displayed several small-size volumes.
3. Possibly this refers to Conrad's three-day stay in Marseilles in January 1921, during the writing of Suspense. 4. Conrad had in fact completed his dramatisation of The Secret Agent the previous year. 5. Karrakis did submit the play to J. B. Pinker, Conrad's agent, but to no avail. We VisitJoseph Conrad* HAMLIN GARLAND We found Conrad's home to be a suburban cottage on the edge of a park in Bishopsbourne some six or eight miles to the eastward. 1 It was a quaint and shapeless structure, one that had just grown from an old cottage into a modern two-storey house.