By Alexander C. T. Geppert
Imagining Outer area makes a charming strengthen into the cultural background of outer area and extraterrestrial existence within the twentieth-century mind's eye. Bringing jointly seventeen state of the art essays, the amount explores the complexities of West-European astroculture and breaks new flooring within the historicization of the distance Age.
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Extra info for Imagining Outer Space: European Astroculture in the Twentieth Century
Source: Courtesy of Robert William, the Hubble Deep Field Team (STScI) and NASA. program, and ﬁnally in its origins and astrobiology programs. 7 billion years old, with an uncertainty of only 1 percent, or about 100,000,000 years. The fact of cosmic evolution is inherent in most of the work done in space science by the national space agencies, which may be seen as ﬁlling in the gaps in the history of cosmic evolution, the ultimate master narrative of the universe.
Science Fiction and Space Futures: Past and Present, San Diego, CA: American Astronautical Society, 1982; and Frederick I. Ordway and Randy Liebermann, eds, Blueprint for Space: Science Fiction to Science Fact, Washington, DC: Smithsonian Institution Press, 1992. Early critical literary studies include, in chronological order, Christof Junker, Das Weltraumbild in der deutschen Lyrik von Opitz bis Klopstock, Berlin: Matthiesen, 1932; Edwin M. J. 4 (October 1938), 417–30; Marjorie Hope Nicolson, A World in the Moon: A Study of the Changing Attitude Toward the Moon in the Seventeenth and Eighteenth Centuries, Northampton, MA: Smith College, 1935–36; James Osler Bailey, Pilgrims Through Space and Time: Trends and Patterns in Scientiﬁc and Utopian Fiction, New York: Argus, 1947; Martin Schwonke, Vom Staatsroman zur Science Fiction: Eine Untersuchung über Geschichte und Funktion der naturwissenschaftlich-technischen Utopie, Stuttgart: Ferdinand Enke, 1957; and Roger Lancelyn Green, Into Other Worlds: Space-Flight in Fiction, from Lucian to Lewis, European Astrofuturism, Cosmic Provincialism 26.
Each of these forms of imagination is at work in any general study of outer space and the imagination. Their complex nature and interaction remain largely uncharted waters in the ﬁeld of space history. ’ Similarly, McCurdy and Roger Launius have shown 30 Narrating Outer Space how the imagery of space, from Buck Rogers and Flash Gordon to the art of Chesley Bonestell and real images beamed from outer space, have inspired the imagination and had a real effect on public and scientiﬁc interest in space.