By Terry A Noye
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Walt Disney was that kind of a man, always ready to do a favor. " His studio had the most congenial personnel in the industry. It was always a pleasure to work there. A few days later I got a call from Mr. Zimbalist. He wanted to have a talk. I told him that I was sorry but I couldn't get away for a few dayswas it anything that my agent could take care of? "That's the trouble," he said. " Mrs. Paul Small was my agent and, I might add, one of the best in the picture industry. " I asked. " "I'm sorry," I said.
I left with somewhat mixed feelings. Doing the chariot race as a ramrod was to me like being given a new rifle and only being allowed to use it if someone else pulled the trigger. I went straight to my agent and told her what Zimbalist and I had discussed. I also told her what I wanted: my regular salary, a good expense account and my choice of drivers. A day or two later Mr. M. I told him what it was all about, that it was very iffy, and that I would never leave the Disney studio without his okay.
Ben Hur then sees them and tries to set his team, slowing them enough to try to pull out behind Messala's chariot. But Messala prevents this by slowing his own team, holding Ben Hur in the trap. Ben Hur now realizes he is hopelessly penned in, and does the only thing he can. He forces his team into a full run. Messala does likewise, and they race neck and neck toward the wrecks. The white team had been trained to jump in full hookup while pulling a specially-constructed chariot. The jumps used Page 17 in the training were breakaways, but looked like the ones used in the picture.