By John Eargle
John Eargle's 4th version of The guide of Recording Engineering is the newest model of his long-time vintage hands-on booklet for aspiring recording engineers. It follows the vast define of its predecessors, yet has been thoroughly recast for the good thing about trendy education in recording and its allied arts and sciences.
Digital recording and sign processing are coated intimately, as are real studio miking and creation options -- together with the constructing box of encompass sound. As continuously, the conventional issues of uncomplicated stereo, studio acoustics, analog tape recording, and the stereo LP are lined in better aspect than you will definitely locate anyplace other than in archival references.
This booklet has been thoroughly up-to-date with various new subject matters further and superseded fabric got rid of. Many technical descriptions at the moment are awarded in Sidebars, leaving the first textual content for extra common descriptions.
Handbook of Recording Engineering, Fourth variation is for college students getting ready for careers in audio, recording, broadcast, and movie sound paintings. it's going to even be important as a instruction manual for execs already within the audio workplace.
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Extra resources for Handbook of Recording Engineering
2 (1958). 6. P. Damaske, "Subjective Investigation of Sound Fields," Acustica, vol. 22, no. 4 (1967-68). 7. S. Gelfand, Hearing: An Introduction for Psycnological and Pnysiological Acoustics, Dekker, New York (1981). 8. H. Haas, "The Influence of a Single Echo on the Audibility of Speech," reprinted in J. Audio Engineering Society, vol. 20, no. 2 (1972). 9. D. Robinson and R. Dadson, Britisn 10. J. Roederer, (1973). Journalof Applied Pnysics, vol. 7, p. 166 (1956). Introduction to tne Pnysics and Psycnopnysics of Music, p.
Many consumer preamplifiers have loudness compensation circuits that boost low frequencies when the playback level is reduced. The aim is to maintain some degree of natural balance at low playback levels. 3, include weighting networks that enable the user to adjust the meter readings so that they reflect the relative loudness of noise or program at various levels. The C scale is fairly flat and is normalized to the curves for 100 phons and higher. The B scale approximates the inverse of the 70-phon curve and should be used for assessing noise levels in that range.
Figure 1-37 shows how reverberant levels can be influenced under these conditions. 6 Behavior of Sound in Sm all Spaces The equations we have presented thus far regarding reverberant field behavior are largely statistical in that they described the average behavior of many reflections over time. 5 40 50 Frequency (Hz) 63 80 100 Fig. 1-38. 7 m. of the great number of these reflections, we have assumed that a generally diffuse condition existed. [n small rooms, no such assumptions can be made; the dimensions of the room itself determine its behavior at various frequencies.