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Extra resources for Fred Gipson at Work
And lots of times, after he's already gone a good ways ahead, he gets to thinking maybe he hasn't done it just right, and comes back to do it all over again" (p. 48). As with the oral transmission stories like "Sweet Potatoes," Gipson is always the sole object of attention, the inheritor and interpreter of the old to the new. 89). This rhetoric of loss pervades his writings, and turns ultimately into a kind of efficient, selffulfilling ethos. Thus his pattern of liking from afar what he had detested up close, and would detest again when he succeeded in getting it back.
On more than one occasion he compared the rituals and formulas of rural folk with metaphors that suggest an almost catastrophic vision of violent encounter between reality and memory—in which living, not only living in the country, but all living, becomes time's victim. 41). 10 Eventually, as Gipson shows in using the word further in routing his way toward Utopia, the quest would become a journey into a state of mind. She said that generally in everyone's life there is a time when he is more himself than at any other time between birth and death.
Thus his pattern of liking from afar what he had detested up close, and would detest again when he succeeded in getting it back. Already as a student he pictured himself regretting the lost moment, and he set out in search for what might have been. On more than one occasion he compared the rituals and formulas of rural folk with metaphors that suggest an almost catastrophic vision of violent encounter between reality and memory—in which living, not only living in the country, but all living, becomes time's victim.