Download Except When I Write: Reflections of a Recovering Critic by Arthur Krystal PDF

By Arthur Krystal

Whilst cultural critics with such wildly divergent perspectives as Jacques Barzun, Christopher Hitchens, Joseph Epstein, Dana Gioia, and Morris Dickstein all agree in regards to the benefits of 1 modern essayist, is not going to you discover out why?"I by no means imagine other than while I take a seat to write."-- Attributed to Montaigne through Edgar Allan PoeFrom Montaigne within the 16th century to Orwell, Eliot, and Trilling within the 20th, the simplest literary essayists mix a present for commentary with an abiding dedication to books. even though it could seem that books have gotten much less crucial and revolution in sensibility is occurring, the essays of Arthur Krystal recommend differently. Companionable with no being chummy, engaged with out being didactic, erudite with no being stuffy, he demonstrates that literature, even within the electronic age, is still the truest expression of the human condition.Covering matters as varied as aphorisms, dueling, the evening, and the Sixties, the essays collected right here supply the typical reader unusual excitement. In prose that's either bright and chic, Krystal negotiates between myriad subjects-from old writing as exemplified by means of Jacques Barzun to the artwork of screenwriting as now not so fortunately represented via F. Scott Fitzgerald. His cardinal rule as a author? William Hazlitt's "Confound it, guy, do not be insipid." No worry of that. other than whilst I Write is considerate within the so much pleased sense-brimming with principles with the intention to provide us the movement and cadence of somebody really pondering. Keenly observant and demise on pretension, Krystal examines the realm of books with out ever wasting sight of the realm past them. Literature could be the bedrock on which those essays relaxation, yet as F. R. Leavis aptly famous, "One can't heavily have an interest in literature and stay simply literary in interests." other than while I Write is a reminder of either the excitement and the ability of a well-tuned essay.

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Extra resources for Except When I Write: Reflections of a Recovering Critic

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Just what we need: another chicken-or-egg argument. Never mind. Ekirch is a man on a mission and, to a remarkable degree, he has reclaimed that portion of the circadian cycle which historians have traditionally neglected. He has emptied night’s pockets and laid the contents out before us. If the resulting work, with all its proverbs, adages, anecdotes, facts, and figures, smells a little of the lamp, it’s a fair trade-off. At Day’s Close serves to remind us of night’s ancient mystery, of the real reason we reach for the light switch.

For Ekirch, the night—even before public lighting, mass transportation, and the introduction of official police forces changed it forever—has been a hubbub of activity, a sequence of comings and goings, a bustling fiefdom with its own distinct customs and rituals. Today, those who live far from the tips of the earth, where it is continually night half the year, rarely find themselves in the dark. D. (light-emitting diode), is sure to be nearby. Electric light is so much a staple of modern life that we forget that there are people around whose parents relied on only two sources of light: the sun and fire.

The two men were well matched; both were self-absorbed, but one loved to talk incessantly and the other liked to listen. Coleridge, in thrall to Kant and Schiller, expatiated on the relation between sensation, thought, and feeling; Hazlitt, a disciple of Hume, stressed the mental involutions that drive behavior. Coleridge seemed dazzled by the mind’s intricate pattern, Hazlitt by the texture of its weave. Years later, Hazlitt wrote about Coleridge as though recalling a schoolboy crush: “He is the only person I ever knew who answered to the idea of a man of genius.

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