By Diana Weynand
Up to date for ultimate reduce professional 7 and written for pro video and picture editors who comprehend their method round Avid nonlinear platforms, this publication indicates you ways to translate your talents to ultimate reduce seasoned fast and successfully. manufacturer, editor, and Apple qualified coach Diana Weynand takes you thru a accomplished "translation path" masking the entire crucial operations, from undertaking set-up and simple modifying via transitions and results, colour correcting, compositing, titling, and output. you can find specific function comparisons, useful conversion information, and directions on how you can use ultimate lower seasoned gains that are not on hand in Media Composer. you are going to additionally examine what is new in ultimate lower professional 7. filled with convenient beneficial properties, together with comparability charts, look-up tables, keyboard shortcuts, and dozens of complex enhancing and workflow counsel, this e-book may have you modifying with ultimate minimize professional in list time. each one bankruptcy represents an entire lesson in a key element of ultimate minimize seasoned 7 and features a overview part and record of keyboard shortcuts.Accessible writing variety places a professional teacher at your sideAmple illustrations and keyboard shortcuts assist you grasp innovations fastChapter overview sections summarize what you have discovered
Read or Download Apple Pro Training Series Final Cut Pro for Avid Editors PDF
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Extra resources for Apple Pro Training Series Final Cut Pro for Avid Editors
1 Select the subclip in the Timeline or open it in the Viewer. 2 Choose Modify > Remove Subclip Limits. You will now be able to trim or add transitions, and so on. You can undo this step, but once you remove the limits of the subclip, you no longer have a clip that represents the original subclip markings. Lifting and Extracting Lift and Extract work the same way in Final Cut Pro as they do in Avid, though the terminology is a little different. The FCP terms are Lift and Ripple Delete (Extract).
Its shortcut key is the letter A. You use this tool to select clips, transitions, and groups of clips; it’s the tool you will work with most of the time. The FCP Tool palette contains editing, selection, and trim tools, as well as other tools, which are covered in upcoming lessons. Default selection tool Selection tools (More tool options) Track selection Trim tools Slip, Slide, and Speed tools Razor Blade tool Zoom and Hand tools Crop and Distort tools Pen tools 17 Controlling Timeline Tracks Controlling Timeline Tracks Like Avid, Final Cut Pro gives you certain controls over your Timeline tracks.
You may gravitate to the FCP keyboard shortcuts, or you may prefer sticking with the command button approach. FCP also offers an additional approach to editing that allows you to spend more time making edits and editorial changes directly in the Timeline itself. Timeline editing is covered in Lesson 6. Avid command buttons in Source monitor Just as the Avid Play buttons are located beneath the Source and Record monitors, the Play buttons in FCP are located beneath the Viewer and Canvas image areas.