By Laurie Olin
"Twenty-eight years in the past I went to England for a three-month stopover at and relaxation. What i discovered replaced my life."
So starts off this memoir via one among America's best-known panorama architects, Laurie Olin. Raised in a frontier city in Alaska, proficient in Seattle and manhattan, Olin chanced on himself disappointed along with his task as an city architect and accredited a call for participation to England to take a respite from paintings. What he chanced on, in abundance, was once the serendipity of a human setting outfitted over the years to answer the land's personal personality and to the folks who lived and labored there. For Olin, the English nation-state was once a palimpsest of the main eloquent and relocating type, but whose manifestation used to be of normal structures intended to defend their population and extra their work.
With evocative language and beautiful line drawings, the writer takes us again to his creation to the scenes of English nation cities, their old universities, meandering waterways, and dramatic cloudscapes racing in from the Atlantic. He limns the geologic histories chanced on in the rock, the near-forgotten histories of place-names, and the new histories of teach strains and car routes. evaluating the expansion of creating within the English geographical region, Olin attracts a few sobering conclusions approximately our sleek way of life and its expanding separation from the landscape.
As a lot a plea for saving the trendy American panorama because it is a passionate exploration of what makes the English panorama so generally English, Across the Open Field is "an affectionate ramble via actual locations of lasting worth."
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Extra resources for Across the open field : essays drawn from English landscapes
Whatever training or study they may have had, whether formal or not, within or without institutions or workshops, they must learn their craft through individual trial and error, putting together for themselves those elements that suit their emerging understanding and imagination. This cannot be done for them by somebody else, whether teacher or institution, because it has to do with personal development and the construction of a unique individual. The strongest and most original, of course, are engaged in creating both themselves and work that hasn't existed before, is fresh or more highly developed in ways that they will discover or invent.
This cannot be done for them by somebody else, whether teacher or institution, because it has to do with personal development and the construction of a unique individual. The strongest and most original, of course, are engaged in creating both themselves and work that hasn't existed before, is fresh or more highly developed in ways that they will discover or invent. The obligation of those who choose art - not as a mere career, profession, or job (in ways that are both similar to and different from a life in science, business, or scholarship) - is to take a different path, to make new situations, rarely predictable and not always easy to accept or adjust to.
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