Category Archives: History & Criticism

A Life in a Wooden O: MEMOIRS OF THE THEATRE

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Both poems were printed during what has been called Shakespeare's "apprenticeship"--the period preceding his emergence as a member of the Lord Chamberlain's Men in 1594--and they share a number of stylistic characteristics with the plays that appear to have been completed during those same early years. Grease�s subplot with Rizzo and her fear of pregnancy was a real part of life in the 50s for many unmarried, sexually active women.

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Performing Feminisms: Feminist Critical Theory and Theatre

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By liberating the language, those movements paved the way for us. Archer 76 Kabuki: the popular stage of Japan. Kincaid 26 Longer plays by modern authors, ed. Performance artists such as Karen Findley, whose work dealt with her own sexuality, Anna Deavere Smith, who explores social issues such as Black-Jewish relationships, and performer/musician Laurie Anderson rose to prominence in the 1980s. Alice Stubbs. 1928 Kldridge 50c Given before National education association at Des Moines.

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Some Account Of The English Stage: From The Restoration In

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Overton (1 Christmas pageant: The eternal quest) 16G Hop-run and six other pageants. Therefore, an artist has to be selective in representation. Otherwise, Proust’s work is concerned with irony, social criticism, worldliness, and the passage of time, which are not my preoccupations. Hall (Educational value of dancing and panto- mime) 134 English comedy. Wie- ner IS Contemporary European writers. If we look at what Shakespeare had written by the early 1590s, we see that he had already become thoroughly familiar with the daily round of one of the great capitals of Europe.

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Cooperation and Conflict: GDR Theatre Censorship, 1961-1989

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The period showed a continuing trend toward the reinforcement of royal authority and, except at the end, of Catholic influence. Tucker in Mod Am and Brit plays "His model scenario is especially illuminating." Hib- bert (Barrie) 74 Footlights fore and aft. B Missionary (Foreign and Home) America's unfinished battles. The prologue usually gives the mythological background necessary for understanding the events of the play. b. John William CunliflFe. 1927 Harper 260p $3; 10s 6d On P254-6 is a brief list of books for refer- ence reading on Contemporary drama; Theatre; and Criticism. (See same entry under Play- wrights) Outline of contemporary drama; ed by Thomas Herbert Dickinson. 1927 Hough- ton vii,298p $2, students' ed $1.50 A list of historical and critical works on the drama, playwrights, theatre and stage including many foreign references, appears at the end of each chapter; also a general bibliog of reference books on the drama, paSs-?.

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Theatre and Religion on Krishna's Stage: Performing in

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Katherine Linder Chapman. 1928 (Pag- eants with a purpose ser, sec 211) \. DVD X234 A documentary dealing with the impact of films on the literary works of Kafka. It gave him a theme of epic proportions, not altogether unlike the "matter" of Greece and Rome that had inspired such classical authors as Homer and Virgil in narrative genres and Aeschylus, Sophocles, Euripides, and Seneca in dramatic genres. Elizabeth Marbury. 1923 Liveriglit 355p il $3.50 "Miss Marbury's crystalsazing reveals the pic- tures of a full and many-sided life.

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Holocaust Drama: The Theater of Atrocity (Cambridge Studies

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Thus, in opposition to such critics as Georg Luk�cs, Brecht defended the need to innovate, experiment, and produce new aesthetic forms.[7] He argued that since the apparatus of aesthetic production was not yet controlled by artists and did not work for the general good, revolutionary artists should strive to change the apparatus. Frederick Card Fleay. (c 1891) 1904 Stechert 2v 387;405p op. (Reeves, T-ondon) "This book resembles the 'Biographia dramatica' of 1764-1812, founded on Langbaine's 'Dramatick poets' of 1601 which contains all that is of value in J.

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Vaudeville Times Volume IV (Volume 4)

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A bibliography is a list of citations put together on a topic of interest. During that second show, Jahraus suggested Cox start giving her rides home every night. The book also contains: Commentary: On the plays and authors; Acting notes. His anger and rage are thus channeled towards those around him. Green 103 History of British costume, from the earliest period to the close of the 18th century. .1. Eagleton tells us in his Marxism and Literary Criticism (1976): Frederick Engels remarks in Ludwig Feuerbach and the End of Classical German Philosophy (1888) that art is far richer and more opaque than political and economic theory because it is less purely ideological.

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My Life in Vaudeville: The Autobiography of Ed Lowry

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Weaver (Memories, a patriotic pageant) 161 Pageant of the land of golden man. The outstanding books on drama and arts of the theatre are reviewed each month. Contents bearing upon the drama: V2 eh xxxi: Satires, songs, and ballads for American independence; ch xxxii: Dramatic lit- erature of the revolution Bibliog: v2 P429-83. Lou Harry writes Lou Harry’s A&E: opinion, debate and discussion on arts and entertainment for the Indianapolis Business Journal. In classical tragedy we find a protagonist at the center of the drama that is a great person, usually of upper class birth.

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The Swastika and the Stage: German Theatre and Society,

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This brief article is an exceptionally well-written, documented overview of Copland's life, works, and critical reception. To the Puritans, tragedy could occur in the blink of an eye. TRAM theaters came under state control as professional Komsomol theaters. For more on improvisation in dance, see Albright and Gere 2003, Clemente 1990, De Spain 1993 and 2014, Kloppenberg 2010, Matheson 2005, Novack 1990 and 2010, Paxton 1975 and 1981, and Zaporah 2003.

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A History of Blackfaced Minstrelsy in America from 1828 to

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The four types of roles for actors in Beijing Opera include: The Nayasastra, the Sanskrit book on dramaturgy, spelled out conventions of The most dramatic changes in Greek theatre architecture were from the Classical to the Hellenistic period. Honey-Mad Women: Emancipatory Strategies in Women's Writing. We know what it’s like to be a receiving end of a review. Benjamin Roland Lewis. 1922 Scribner x,410p $2 "With outline study of the one-act play and bibliographies."

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